George Lance (March 24, 1802 – June 18, 1864) was an English painter of still life and portrait miniatures.[1]
Lance was born at the old manor-house in Little Easton in Essex. His father was William Lance who had previously served in a regiment of light horse and was at the time of Lance's birth an adjutant in the Essex yeomanry; afterwards he became the inspector of the Bow Street horse-patrol. His mother, Louisa Lucy (née) Constable, with whom his father had eloped from boarding-school, was the daughter of Colonel Constable of Beverley in Yorkshire.[2]
Although Lance showed a predilection for art at a very early age, his friends placed him, when under the age of fourteen, in a factory in Leeds. However, the uncongenial work injured his health and he returned to London. Wandering one day into the British Museum, he casually started a conversation with Charles Landseer, who happened to be drawing there. On learning that Landseer was a pupil of Benjamin Haydon, he went early next morning to that painter's residence, and asked to become a pupil. Haydon replied that if his drawings promised future success he would instruct him for nothing. Not many days later Lance, still under fourteen, entered Haydon's studio, and remained there seven years, at the same time studying in the schools of the Royal Academy.
While designing a picture inspired by Homer's 'Iliad', he decided, before putting on the colours, to paint some fruit and vegetables, in order to improve his execution. His work attracted the notice of Sir George Beaumont, who purchased it, and this success led him to paint another fruit-piece, which he sold to the Earl of Shaftesbury. He then painted two fruit-pieces for the Duke of Bedford as decorations for a summer-house at Woburn Abbey, and his work proved so profitable that he decided to devote himself to the painting of still-life.
He began to exhibit in 1824, when he sent to the British Institution 'A Fruit Boy,' and to the Society of British Artists 'The Mischievous Boy' and two fruit-pieces. In 1828 appeared his first contribution to the exhibitions of the Royal Academy, 'Still Life,' with the quotation from Samuel Butler's poem "Hudibras":
"Goose, rabbit, pheasant, pigeons, all
With good brown jug for beer not small!"
Although it was chiefly as a painter of fruit and flowers that Lance gained his reputation, he sometimes produced historical and genre works, and his picture of 'Melanchthon's First Misgivings of the Church of Rome' won the prize at the Liverpool Academy in 1836. His works appeared most frequently at the exhibitions of the British Institution, to which he contributed in all 135 pictures, but he sent also forty-eight works to the Society of British Artists, and thirty-eight to the Royal Academy. Amongst these were:
Besides these he exhibited many fruit-pieces and pictures of dead game, painted with great richness of colour and truthfulness to nature. Lance died at the residence of his son - Sunnyside, near Birkenhead, on 18 June 1864.
His most distinguished pupils were Sir John Gilbert and William Duffield, the latter an artist of great promise who died voung in 1863.